Eleanor Suess |
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ELEANOR SUESS
CURRENT POST Associate Professor, Department of Architecture and Landscape, Kingston University
EDUCATIONAL AND PROFESSIONAL QUALIFICATIONS PhD (On-going, part-time. AHRC funded through TECHNE), CSM, UAL, commenced 2014 PG Certificate in Teaching and Learning in HE, Kingston University, 2007 Masters in Architecture, Bartlett School of Architecture, UCL, 2005 Certificate in Prof. Practice (RIBA pt 3), Bartlett School of Architecture, UCL, 2004 Graduate Diploma in Architecture (RIBA pt 2), Bartlett School of Architecture, UCL, 2001 Bachelor of Environmental Design (RIBA pt 1), University of Western Australia, 1996 Bachelor of Fine Arts, University of Western Australia, 1994
ACADEMIC POSITIONS & EXTERNAL EXAMINING Department/School of Architecture and Landscape, Kingston University University of Reading Plymouth University University of the West of England School of Architecture, University of Portsmouth
PROFESSIONAL EXPERIENCE Fashion Architecture Taste, London, Proctor and Matthews Architects, London, Adelaide International Arts Festival, Australia, Ruins of the Future
MEMBERSHIP OF PROFESSIONAL BODIES Architect’s Registration Board (ARB)
RESEARCH INTERESTS My on-going research lies at the intersection between architecture and art practice, focussing on developing a hybrid moving image practice, exploiting contemporary digital moving image technology for new transdisciplinary methodologies between architectural representation and artists’ film.
PUBLICATIONS E. Suess "Light Matter: the Transdisciplinary Practice of the Architectural Moving Drawing", in Troiani I. and Campbell H. (eds) Making Visible: Architecture Filmmaking, Intellect, (In Press). E. Suess “Light Events: Interior and Exterior Space in Michael Snow’s Wavelength” in Sparke, P., Brown, P., Lara-Betancourt, P., Lee, G., Taylor, M (eds) Flow: Interior, Landscape and Architecture in the Era of Liquid Modernity, Bloomsbury, London, 2018 E. Suess “Projective Views” in Sparke, P., Brown, P., Lara-Betancourt, P., Lee, G., Taylor, M (eds) Flow: Interior, Landscape and Architecture in the Era of Liquid Modernity, Bloomsbury, London, 2018 E.Suess “Doors Don’t Slam: Time-Based Architectural Representation” in D. Maudlin and M. Vellinga (eds) Consuming Architecture: On the Occupation, Appropriation and Interpretation of Buildings Routledge, 2014 E Suess Painting over the Blackboard: Customisation of a Proprietary VLE; CEBE Case Study; Cardiff, CEBE, Cardiff University, 2010 E Suess “Prophecy and Memory: Wavelength as Architectural Drawing” in The International Journal of the Arts in Society Volume 5, Number 5, Common Ground Publishing, Illinois, 2011, ISSN: 1833-1866 D. Deane & E Suess “On Slowness” in C. Spiridonis & M. Voyatzaki Teaching and Experimenting with Architectural Design: Advances in Technology and Changes in Pedagogy EAAE Transactions on Architectural Education No. 35, 2007, ISBN: 2-930301-32-5 E. Suess & D. Havercroft “Durer’s house” in L. van Schaik (ed), Ruins of the Future, RMIT Publications, 2000
SELECTED EXHIBITIONS/SCREENINGS Motion Pictures Film Festival [Screening of “Carriage”]; Clementine Cinema, Lagos, Nigeria; 29 August 2018 Southampton Film Week, screening of "Carriage"; Southampton, UK; 11–19 November 2017 MEM: Experimental Arts International Festival Bilbao [Screening of “Sunhouse Elevation/Sunhouse Azimuth”]; Arkitektura SF 38 Exhibition, Bilbao; 15 November 2017. San Diego Underground Film Festival, screening of "Carriage"; Tenth Avenue Arts Center, San Diego, California, USA; 27 August 2017 Szczecin European Film Festival, screening of "Parallel Carriage"; Dom Kultury 13 Muz – The Cultural Institution of the City of Szczecin, Poland; 22nd June 2017 Architectural Film Festival London, screening of "Carriage" (one of 12 films shortlisted to be screened at the festival); ICA and Oxo Bargehouse, London; 9th June 2017 Cinecity 2015 [Screening of “Venice Wall” & “East Croydon Ramp”]; Loop, Melbourne; 14th May 2015 Sydney Architecture Festival, CineCity at SAF: Connections, [Screening of “Dunwich Fishing” & “Venice Water”], Golden Age Cinema, 9th November 2014 Arquiteturas (Portugal international film festival screening documentary, experimental, animation and fiction films about architecture), [Screening of “Dunwich Fishing”], Cinema Alvalade, 26th September 2014 Cinecity 2014 [Screening of “Dunwich Fishing” - Highly Commended]; State Theatre Centre, Perth, 9th May 2014; Vivid Ideas, MCA, Sydney, 30th May 2014; Testing Grounds, Melbourne, 25th July 2014; ACT EmAGN, Canberra, 12th August 2014. 2014 Australian International Experimental Film Festival [Screening of “Sunhouse Elevation/Sunhouse Azimuth”]; Replants, Fremantle, WA, 2nd-4th May 2014; Goodtime Studios, Melbourne, VIC, 16th-18th May 2014. Experiments in Cinema v9.72 [Screening of “Sunhouse Elevation/Sunhouse Azimuth”] Guild Cinema, Albuquerque, New Mexico, USA; 15th April 2014 1st Women Media Arts and Film Festival [Screening of “12 Frames”] The Armory Theatre, Sydney Olympic Park; 29th December 2013 Architects Journal Light Shots [Screening of “Sun House 1” & “Shard 4 View” (both received honourable mentions)] The Apartment, Hoxton Grill; London; July 2013 2013 Australian International Experimental Film Festival [Screening of “12 Frames”] Loop, Melbourne; May 2013 Projective Views Installation for Flow 2 Conference, Wunderlich Gallery, Melbourne School of Design, University of Melbourne, 8-10 February 2012 No. 33 Grezzo Experimental film-based installation, Grezzo, Italy, 11th August 2011 Expanded Architecture Screening and panel discussion of “Architectural Film”, Performance Space, Sydney, November 2010 Workstation Speakeasy, Screening of commissioned video piece, 28 St. Johns Lane, London; September 2003 OMSK: SNUB, Film; Video; Performance; Music Event, [Screening of “Arlene”], 86 Brick Lane, London; September 2002 291 Gallery Light Reading Programme, West Australian Experimental Screen Work, 291 Gallery, 291 Hackney Road, London; June 2002 FX Magazine 100th Issue Party: experimental videos; Old Street, London; July 2002 Metalux, Experimental Film Screenings, Domain Theatre, Art Gallery of New South Wales, Sydney; 1-8 October 1997 & Film and Television Institute of Western Australia, Fremantle; September 1997 Sandblast, Fabrica Gallery, Brighton; September 1996 Ruins of the Future, installation for Adelaide International Arts Festival, Adelaide, March 1996 (3rd Place Ruins of the Future International Competition) Hong Kong - Perth Experimental Film & Video Exchange, University of Western Australia, Perth,1996 Dust Eats PICA, Video Installation, part of Artrage Festival, Perth Institute of Contemporary Arts, Western Australia, 1994
CONFERENCES, GUEST LECTURES & SYMPOSIA E Suess “Light Matter: the Architecture of Leading Light” Guest Lecture at the Faculty of Architecture, Landscape and Visual Arts, University of Western Australia, April 2014 E Suess "Temporal Landscapes in Wavelength" Invited keynote speaker for the Entrance to a Lane Symposium accompanying the Entrance to a Lane exhibition at the Otter Gallery, University of Chichester, 16th November 2011 E Suess “Moving Drawings” Invited keynote speaker for the BuildingBuilding Symposium for the Art/Design Research Group, Hochschule Luzern, Lucerne University of Applied Sciences and Arts, Switzerland, 6th July 2011 E Suess “Light Events: Interior and Exterior Space in Wavelength” conference paper, FLOW 1 (FLOW:A conference in two parts), Kingston University London, 12-13th May 2011 E Suess “Doors Don’t Slam: Time-Based Architectural Representation” conference paper, FIXED? Architecture, Incompleteness and Change, Plymouth University, 7-8th April 2011 E Suess “Prophecy and Memory: Wavelength as Architectural Drawing” conference paper, 2010 International Conference on the Arts in Society; Sydney, Australia, 22-25th July 2010 Associate Editor, The International Journal of the Arts in Society, Volume 5, Common Ground Publishing, Illinois, 2010, ISSN: 1833-1866 D. Deane & E Suess “On Slowness” conference paper, Teaching and Experimenting with Architectural Design: Advances in Technology and Changes in Pedagogy European Association for Architectural Education, Lisbon, Portugal, May 2007 REVIEWS/CITATIONS M. Szpakowski "Review of Painting 01" in DVblog, 18th April 2011 [available online] M. Szpakowski "Review of Arlene" in DVblog, 8th April 2011 [available online] M. Szpakowski "Review of Map 2b" in DVblog, 8th March 2011 [available online] G. Gibson (ed) Blueprint No. 187 September 2001 L. van Schaik “Ruins of the Future” in Transition Issue 52/53 1996 D. Jackson (ed.) “Radar: Culture: Architectural Action in Adelaide: Ruins of the Future” in Architecture Australia March/April 1996 Vol. 85 No 2 L. Schwendinger & M. Kramer "On The Edge Down Under" in Public Art Review Spring/Summer 1996 Review ABC Television, Australia 25 March 1996 Imagine SBS Television, Australia 8 March 1996 G Foreman (ed.) “The Ruins of the Future” Monument No 12 1995/96 S Neille (ed.) “Wagga Wagga” in The Architect Summer 1995 Vol. 35 No 3 D Bromfield “On Show” in The West Australian 21 May 1994 |
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